Artist Residencies

ARTIST RESIDENCIES AT MARCHMONT HOUSE

We have been lucky enough to collaborate with the Hugo Burge Foundation, formerly Marchmont Makers Foundation, to offer Studio Spaces and Residencies over the last few years, in some of their beautifully converted Creative Spaces, near Duns in the Scottish Borders.  Thanks to their generosity we have been able to offer supported opportunities to the following artists. 

FEB 2024 - OLD SQUASH COURT STUDIO - ANNA KING

Throughout February 2024 Anna took up residence in the Old Squash Court Studio at Marchmont Estate, near Duns, courtesy of Marchmont Makers Foundation. 


Well renowned local artist Anna King has a long history with Marchmont, and indeed the Old Squash Court, which she used as her studio long before it was renovated by our late Patron Hugo Burge. 


She was later commissioned by Hugo to paint the old greenhouses at Marchmont, to make a record of them before they too were fully renovated.


Although the reclamation by nature of marginal or disused pieces of land and buildings had long been a theme running through Anna's work, it was this commission that started her interest in old, dilapidated greenhouses.


Anna returned to Marchmont, where it all began, to work on further large-scale paintings of abandoned greenhouses, where nature has taken over, bursting through the windows and encroaching on the structures.  Using a combination of oils and pencil line her work celebrates the weeds and wildness, and beauty found in the unpredictable tangle of encroaching plant life.


As part of her residency Anna exhibited at the 2024 Borders Art Fair, where she showed some of the work created during the residency, alongside other pieces. 


Click here to visit Anna's website.


FEB 2023 - OLD SQUASH COURT STUDIO - AINE DIVINE RSW

Aine took up residence at Marchmont, near Duns, throughout February 2023, with full use of the Old Squash Court Studio, courtesy of Marchmont Makers Foundation. During her time there she was able to experiment and respond not only to the place, but also to the characters around the estate. 


In March, Aine exhibitied at the Borders Art Fair, where she showed some of the work created during the residency, alongside some of her other work. Although primarily known as a Portrait Artist, Aine is also well known for her mixed media still life and landscape painting. 

Originally from Ireland, Aine graduated from Crawford College of Art and Design, Cork as a Bachelor of Fine Arts in 1991, before being awarded a Higher Diploma in the Principles of Teaching Art at Crawford College of Art and Design and University College Cork in 1995. In 1996 she relocated to Scotland, where she has continued to paint, teach and write about art and creativity.


Having been shortlisted for the Irish National Portrait Award three years in a row, she was an award winner in 1993. In 2005 Aine painted Mo Mowlam for BBC 1's 'Star Portraits' and she was a finalist in the Sky Arts Portrait Artist of the Year award 2014, painting Sir Ian McKellen in the final.


Other awards include the Heatherleys Studio Award and Windsor and Newton awards at the annual Royal Watercolour Society’s contemporary art show and the Watermark Award at the Royal Scottish Society of Painters in Watercolour.


A Member of the RSW, Aine's award-winning work is exhibited widely, and is held in collections worldwide, including the National Gallery of Ireland.


www.ainedivinepaintings.co.uk

FEB 2022 - OLD SQUASH COURT STUDIO

GEORGINA BOWN SSA & FEE DICKSON

Georgina Bown SSA at work

Georgina and Fee spent a month sharing the light filled Old Squash Court Studio in early 2022, in preparation for their shared stand at the Borders Art Fair shortly afterwards.


Georgina specialises in Drawing, printmaking and sculpture.  Based near the East Lothian coast she has been influenced by her surroundings, resulting in a fascination for sea-going vessels. Over the years Georgina has developed a drawing technique of Monoprinting which enables her to experiment with mark making as well as the printed image.


During her time at Marchmont she turned her attention to the trees on the estate, particularly those which had suffered storm damage, which resulted in a beautiful triptych of large scale drawings, as well as a number of on-site sculptures and sketches.


www.georgina-artist.co.uk

Fee Dickson is also based in East Lothian, where she was born. 

She graduated from Edinburgh College of Art with a Master of Architecture, but left architecture after several years to paint professionally.  She has been exhibiting since 2010.


A land and seascape artist, Fee's work seeks to capture the 'still point in turning world', the fleeting moments revealed when the sun moves from behind a cloud or catches a wave. With light and atmosphere her work creates a sense of calm and stillness. 


At Marchmont she concentrated on creating a series of paintings influences by the surrounding landscape, forcing her to take a break from seascapes to capture the essence of the locality.


www.feedicksonreid.com

Fee Dickson working on a large scale painting

JUNE 2021 - MARTHA ELLIS

'Grasses' by Martha Ellis

A regular at the Borders Art Fair, Martha Ellis will be spending the first 2 weeks of June at Marchmont, to study the buildings, gardens and collection.


Martha’s work explores the positive and negative space within natural and urban landscapes, reducing complex scenery to more simplified lines and block colour. After hours of drawing from life, she turns her work into cut-out pieces which are mounted directly to the wall to allow shadows to cast. 


Greatly influenced by nature, Martha's work investigates the juxtaposition between constructed buildings and their natural surroundings, often from drawings based on her visits to Kew Gardens and the Royal Botanic Garden, Edinburgh.


This Residency at Marchmont Creative Spaces will give Martha the opportunity to explore the estate and to develop more drawings on which to base future work. 


She won't be short of inspiration!


www.marthaellis.co.uk

MAY 2021 - ROSE COTTAGE EAST - JO TAYLOR

Vari Capitelli viii 2020 by Jo Taylor

Jo Taylor spent 2 weeks at Marchmont in May 2021, to explore the house's architecture and collection. 


An artist educator, Jo specialises in ceramics, with drawing and printmaking used as tools to explore visual research.  Since graduating with an MA in Ceramics, she has exhibited her work extensively in the UK, US and Europe, in venues including TATE Liverpool, COLLECT at Somerset House and the Kasteel D'Ursel in Belgium. 


Jo's sculptural works are inspired by architectural features such as ornate  plaster ceilings, wrought iron and carved stone, aiming to convey the sense of grand gesture, the drama of shadow, and the dialogue between space, structure and ornament. The stunning interiors of Marchmont House have been a rich source of inspiration for her work.

Having completed her first book, 'Handbuilt Ceramics' during lockdown, Jo was keen to refresh her creative practice through research for a new body of work. 


During the Residency Jo has explored the architecture and collection at Marchmont House, responding on paper and in clay.  She was particularly interested in Thomas Clayton's plasterwork and the carved Arts & Crafts panels in the Music Room, as well as learning about other aspects of the house. 


Jo's work responds to architectural themes and her aim was to expand her knowledge and thinking, using the time and space of this Residency to focus exclusively on her creative practice, so she could learn and take creative risks.


www.jotaylorceramics.com

Sketch by Jo Taylor

APRIL/MAY 2021 - STUDIO COTTAGE, FOGO - RICHARD GOLDSWORTHY

Wood, Metal and Fire exhibition at The Scottish Gallery

One of Saatchi Art's 'Rising Stars' 2019, Richard Goldsworthy became the first artist to take up a one month residency in Studio Cottage, Fogo, which is one of the latest Creative Spaces at Marchmont to be developed.


Born in Macclesfield, before moving to Buckinghamshire, Richard studied Sculpture at Edinburgh College of Art between 2015 and 2019.  During that time he completed a residency at Hospitalfields, Arbroath, before being awarded the Royal Scottish Academy's Barns-Graham Travel Award in 2019 which allowed him to travel to South Korea. Since graduating he has had exhibitions in London, Harrogate and Edinburgh.


To date Richard's artistic focus has been sculpture.  Working with wood, he carves, chars or casts elements to create highly contrasted, visually intriguing objects.

In Autumn 2019 he had the idea of taking his sculptural pieces and using them to make their own footprints: 'Sculptural Trails'. His initial experimental pieces were well received at the Edinburgh Art Fair, but since then he has lacked the space to experiment more widely and on a larger scale.


The Studio Cottage Residency has given Richard space and a dedicated period of time and isolation, in a beautiful landscape,  enabling him to immerse himself in releasing this artistic idea; to experiment, develop and explore the process and concept.   


His objective was to produce a body of work that can be exhibited alongside his sculpture to launch a different dimension or genre of 'sculptural artistic output.'


Richard enjoyed his time at Marchmont so much that he went on to take up a permanent studio space there.


www.richardgoldsworthy.org

Richard Goldsworthy in Studio Cottage

APRIL 2021 - THE TOWER STUDIO - ROSEMARY EVERETT AND JANET CLEGHORN

Rosemary Everett in the Tower Studio

A further two artists shared the studio space throughout April; Rosemary Everett and Janet Cleghorn.


Rosemary Everett, a print maker and book artist, has been developing her artistic practice since 2015. She has studied printmaking at Edinburgh Printmakers, Abbeymount Studios, Dundee Contemporary Arts, Poldrates and Robert Smails, as well as completing courses on Book Arts at the University of Edinburgh.


After restoring a vintage flatbed printing press, Rosemary used her time in the Tower Studio to develop and produce a hand-bound, small edition artist’s book. The book’s content was inspired by, and journaled, the house and landscape, celebrating Marchmont’s distinctive story and sense of place.


www.instagram.com/everett_creates

Borders artist, Janet Cleghorn, worked as a textile designer for many years, before establishing herself as a successful still life artist over ten years ago. Recently, she has been a regular exhibitor at the Borders Art Fair, and has also exhibited with numerous galleries in exhibitions across the UK.

As well as producing sketchbook work and developing ideas, Janet was keen to introduce elements of the Tower Studio’s architecture into her mixed media paintings. Janet was lucky with the weather during her time in the Tower, which resulted in a collection of pieces that play with the sunlight and resulting shadows cast across the space.  

As an artist who usually works alone, this opportunity also gave Janet the chance to network and share practice with the other artists and makers on site.



www.janetcleghorn.artweb.com

Janet at work

MARCH 2021 - THE TOWER STUDIO

GILL WALTON & REBEKAH TOLLEY-GEORGIOU

Gill at work in the Tower Studio

The Tower Studio welcomed Gill Walton and Rebekah Tolley-Georgiou in March, who applied jointly to share the studio space.


Gill and Rebekah met as undergraduates and have known each other for over 30 years. Working in different ways with different media, they have always discussed their working practices and wanted to explore how their experiences of these most unprecedented of times converges to influence their respective practices. Gill has used the space to explore the theme of emerging from the global pandemic, which resulted in a new body of work reflecting the current feeling of hope.


Gill Walton has exhibited regularly at the Borders Art Fair, where she was awarded the ‘Best Stand’ prize in 2019. A life-long, multi award winning artist, Pieces completed during her time at  Marchmont have already been selected for the PAI Scottish Drawing Competition and by the SSA.


www.gillwalton.co.uk

Rebekah Tolley-Georgiou is an award-winning interdisciplinary artist, documentary filmmaker and educator. For eight years she was co-author and Creative Producer, working alongside Michael Grigsby. Their final film together, We Went to War (2013), was nominated for Sheffield DocFest’s Innovation Award, and screened at the Museum of Modern Art (New York), before opening at the ICA in London. Commissioned by Channel 4, We Went to War premiered on Film4 in 2014. Rebekah has created a 'sonic footprint' of Marchmont during her Residency as part of her work 'Proem', which included audio visual and  photo-artworks to capture the essence of Marchmont, both historically and in the present.


www.artslabinternational.com

Rebekah Tolley-Georgiou on the roof of Marchmont House

FEBRUARY 2021 - THE TOWER STUDIO - CLAIRE BEATTIE

Claire Beattie in the Tower Studio

Claire Beattie was the first of our artists to take up residence in the Tower Studio for the month of February.


Born in Ayrshire, Claire Beattie grew up on the Moray coast, before graduating with an MA in Fine Art and distinction in painting from the University of Edinburgh. She now lives and works in the Scottish Borders.


Claire has shown her landscape paintings professionally throughout the UK since 2008. Her work, inspired by the Scottish Borders landscape, is in many private collections, and has been shown several times at the Royal Scottish Academy and the Royal Glasgow Institute. As well as being a member of the Society of Scottish Artists and Visual Arts Scotland, she has been successfully represented at the Borders Art Fair by various galleries over the past few years.


Claire makes paintings which respond to the layers of colours and the motifs she encounters in her environment. A solitary tree is a recurrent theme, alongside a fascination with strong horizonal areas suggesting a more abstract visual language.


2020 found her, like so many creatives, with no learning and engagement work and a list of cancelled exhibitions. However, over the course of the summer she began to sell small paintings made quickly in response to the landscape. The opportunity at Marchmont House has allowed her to further explore this more fluid and instinctive way of working to produce a series of works responding to her new surroundings and the trees around Marchmont Estate.


www.clairebeattie.com

At the End of the Day by Claire Beattie

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